Skip to main content

Harpist Ruth Wall gives a recital on four harps "Migrations" at Gerrans Parish Memorial Hall for Roseland Music Society





Ruth Wall gives recital on four harps in Gerrans Parish Hall, accompanied by Graham Fitkin. There were over 100 strings in total requiring careful tuning before, and during the concert which ace harpist Ruth Wall gave on Friday 9th December at Gerrans Memorial Hall. Ruth’s  programme took as its broad theme Migration and she chose a remarkable variety of strands to captivate the audience – the programme was both highly creative and a spur to the imagination. There were four distinctive harps she played, the traditional clearsach, the bray harp, electro-acoustic harp, and a lever harp.

While Ruth Wall lives in Cornwall she  has mined the stories and music from her native Sutherland, and in particular the Highland clearances for the thread that she wove through this programme.    Her partner the composer, Graham Fitkin who was accompanying her adapted tunes from bagpipe music books and these were then  interwoven with looping techniques to create new sound worlds.  For example a recording of the natural sounds of skuas who have a distinctive cry and have been known to migrate in their thousands over  Uist were included with a traditional pipe tune captured by Graham for Ruth to play. 

If you ever travel up on the Paddington train from Cornwall and sit in the Quiet carriage,  beware if you begin to chatter! There may be a composer in the carriage picking up thematic ideas. Ruth and Graham’s concerts always provide surprises and in addition to reprising Steve Reich’s “Clapping music” , they performed a short work by Graham  which included snatches of teenager overheard in the Quiet Carriage  - backchat using rhythmic  body percussion, elements of dance and words.  







Ruth and Graham's recital ended with a Q & A session which elicited some fascinating questions from the audience of 60. The last question asked the (on the face of it) simple question "Why does the top bar of the harp have a curved profile?". As it tuned out Graham


The next concerts are in February 2023.  Do join us.  Tickets are open to the public available from Cornwall Riviera Box Office www.crbo.org.uk call  or look at the website. www.Roselandmusicsociety.org.uk and follow us on Facebook.  If you join the Society we can mail you the brochure and keep you updated (£15 per annum) and you get a 18% discount on tickets it also reassures the volunteers that the society is valued!     


The   Selene Scholars are 8 young male and female choral scholars at Oxford – they are coming for a three day stay in Cornwall   both to give a concert at the Memorial Hall, Gerrans at 1930 on Friday 10th February for RMS , a workshop for young people at school Roseland Academy School, and a further concert on Saturday 11th February 1930 at Mylor Church with Carrick Concerts.  


On Friday 10th February  the title is  “Lay a Garland” – some of the most sumptuous and evocative choral music ever written for those in Mourning  including polyphony  by  Jean Richafort,  Josquin des Pres,  Tallis, Byrd, Tomkins  to Pearsall and Harris.    On Saturday 11th February Selene’s completely contrasting  theme will be  an evening of  Lovesongs.   So for those contemplating a night out for   Valentine’s Day – this will hone your troubadour skills and allow you to use a proxy ensemble!      

Further concerts in the current season. Trio Cordiera – 24 March. (Beethoven, Brahms, Higdon);   Martin Jones – 21 April piano recital (Liszt, Debussy, Albeniz)   continue once a month on Fridays till June 2023.


Comments

Popular posts from this blog

Cornwall Cello Voices

Friday 7th February 2020 Truro Catholic Church Cello Voices. Liz Brazier - widely regarded as the mother of cellists  in Cornwall  as Barbara Degener, the ensemble leader , called her at the close of this concert, has for some years run a cello weekend in the new year where cellists of all ages and abilities meet to work  and play together.   (she is actually the mother of Ben Hoagley one of the other performers - and celebrated a significant birthday today) Cornwall Cello Voices is a group of  eight of the rather more accomplished performers who have given concerts at the end of the weekend.   The sound of 8 cellos playing together in harmony is thrilling as recordings by the cellist of the Berlin Philharmonic in the 90s attest.  And this concert was certainly extremely well delivered with ensemble and balance between a frequent myriad of parts well judged. The cello's sonorous register makes it a favourite with many but the comparative lower register of the parts and th

Jennet Campbell MBE

On Friday we celebrated the life of Jennet Campbell in Gerrans Church with a tribute led by Emma Campbell her daughter, and readings by daughter Sally and friends.  Local poet and county councillor Bert Biscoe gave the eulogy. Jennet Campbell was a critical influence on the development of many musicians in Cornwall, either directly or indirectly - through her own teaching or through the work of the  Radford Trust and the instrument provision scheme they have provided for many children coming to music for the first time. She received and MBE and was created a bard in the Kernow Gorsedd for her contribution to music in Cornwall.  She was the niece of musicians Maisie and Evelyn Radford, the two sisters who had settled St Anthony in Roseland and founded Falmouth Opera Group in the 1930s.  She inherited their studio and Coastguards in the village and it was from this Cornish centre of operations that her remarkable contribution to music at parish level (formation of St Anthony's Pl

Bournemouth Symphony Orchestra Brass Section Concert 19th March 2022 at 1600

What's wrong with old-fashioned entertainment.....Answer absolutely nothing!   This concert by the Bournemouth Symphony Orchestra Brass and Woodwind Sections was a model of exactly that.  The programme (see below) didn't perhaps have  the same gravitas as exemplified by the Sibelius Second Symphony the full orchestra had played under the baton of Kirill Karavits the night before to a packed house at the Hall for Cornwall.  But it was stylish,  hugely polished and beautifully executed.  And let's face it any programme which includes a Leonard Berstein score is going to produce a lot of fireworks and excitement.   As the players clicked their fingers to get us into the mood of the West Side of New York, the menace of the scrap to come was palpable and the sheer joy of wonderful, gripping, rhythmic energy pulsed through the hall.   Here is a paean to the art of the arranger too.   Because on the evidence of this concert there are some very clever musicians weaving some nifty l