Skip to main content

Posts

Showing posts from 2018

Is Britain becoming a music backwater? Womad strangled by entry visa rules for musicians

Well here I am at my first Womad and on the first full day I am looking forward to hearing the veteran Mozambique singer Humberto Carols Bendica.   A veteran 70 year old marrabenta vocalist who started out as a lounge lizard singer in colonial Portuguese in the 60s…on independence and the emergence of a distinctive marrabenta style he became lead singer in Orchestra Star de Mocambique.    Sounds like a real great groove to enjoy on the @BBCRadio3 Charlie Gillet stage ….except no.   No Visa …No Humberto….or as he is now rebranded Wazimbo.     A BBC announcer apologizes and invites a local Bristol band to take his place.     Its cool but its not Humberto! Britain is not open for business if its business with international musicians.    Its closed, and the bureaucratic, and humiliating process musicians have to face to be “allowed” to bring their music   to our country are turning Britain into a backwater and doing untold damage to Britain’s reputation as a country open to

Shahnemeh by Adverse Camber at Perranporth Memorial Hall

An enthralling evening of music and storytelling from Persia presented by Adverse Camber at Perranporth Village Hall on Carn to Cove Saturday 17th March 2018  I only had a vague knowledge of the epic poem The Shahnameh (the Book of Kings)   as a critical work in Persian/Iranian culture......but the evening in Perranporth Memorial Hall  that Adverse Camber presented their show of the stories and the music of that world brought all sorts of insights, exotic worlds and memories.  The hall was thronging ...evidently Persian storytelling a subject to draw Cornish audiences on a cold March evening.   Two performers,  Xanthe Gresham Knight, a storyteller, and Arash Moradi, musician conjured the exotic and dazzling world of the Persian Book of Kings.    The stories were collected and written over thirty years  at around 1000 AD by the poet Ferdowsi and the epic poem consist of 50000 lines of verse in rhyming couplets (distychs) in Farsi.   The audience is drawn in as

Rogue Theatre WInter Show in Tehidy Woods

A cold, wild and blustery night made  Rogue Theatre 's Winter Woods  Tehidy Woods  show all the more atmospheric with fire dancers, woodland faeries and the sweetheart tree offering a magical night time pre-amble to the main show. The woods hospitable in a primeval way of offering shelter....... In the stately pleasuredome in the woods (a tent decked out with gorgeous tapestry) The King of the Woods tells a labyrinthine adventure of twins caught up a journey fraught with fantastical gods and animalia ..... now a traditional Cornish entertainment for kids and adults......of finery, wonder, glitter, dance and make-believe.....a memorable Christmas Party for the  Creative Skills and Cultivator   Carn to Cove   Feast Cornwall   Krowji  team ....and a bargain, with hot chocolate thrown in.

Gwenno gig at the Poly 2 December 2017

Recommended by Denzil Monk to catch this band which Gwenno leads - a Welsh singer who sings in Cornish and prides herself on growing up on the songs of Brenda Wootton (good).  The music was very different from what I expected being a sort of prog rock, psychodelia event (helped by projected mesmerising graphics on to rear screen which lent an acid trip feel to parts of the evening) - atomised abstract patterns a la Bridget Riley on screen cut with archive film and kaleidoscopic patterns.  Unlike Brenda who had a high supple voice, Gwenno has an alto tessitura which makes it difficult for he to rise above the instrumental accompaniment and she is less secure in the upper register.  The sound is dominated by an electroic synth vibe.  She is a striking tall chanteuse of the Ute Lemper groomed and svelte style. Her songs are interesting taking such pictorial themes for lyrics  as Peter Lanyon's mine paintings  (now thank god two of his masterpieces on  display in the newly hung Tate